Blog
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You Feel Nothing: The Problem with Second Person Storytelling in Games
There’s a book I used to keep on my desk in the office. Bright Lights, Big City by Jay McInerney. Every time someone came to me with a design concept that had a particular problem baked into it, I’d hand them the book, tell them to read the first chapter, and let them figure out…
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Less Is More: A Framework for Game VO That Players Actually Listen To
There’s a version of this post that starts with a rant about Claptrap. We’ll get there. But first, a principle. Good game VO — the kind that actually lands, the kind players remember years later — isn’t really a writing problem. It’s an attention problem. And attention, it turns out, is one of the most…
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From Playing to Watching: How Let’s Plays Changed What It Means to Be a Gamer
There’s something I’ve been turning over in my mind lately, and I think it’s worth putting into words. Here’s my hot take: the rise of Let’s Play videos and live streaming has fundamentally shifted what the gaming community is. Not just in size, but in its very nature. And I’m not sure we talk about…
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Criticism
“If you’re not your own worst critic, you’re probably not very good.” This is a quote I’ve been telling people for years, though in all honesty it’s always been more of a reminder to myself than anything else. I started saying it when I was in school, surrounded by creative people for the first time,…
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The 7 Principles of Illusion (And How They Apply to Narrative Design)
A magician’s job and a narrative designer’s job are more similar than you might think. Both are in the business of making people invest in something that isn’t entirely real. Both rely on attention, assumption, and a carefully constructed experience to pull it off. And both, when they’re working at their best, leave the audience…
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There’s A Knock At The Door
Imagine you’re sitting in your home, doing something casual, not using much effort or thought. Then there’s a knock at the door. Who’s knocking?What do you do?How does it make you feel? Your immediate answer might be something like — I don’t know, who is it? — and that’s a completely reasonable response to such…
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You Can Do Anything Except That
Some of the most disciplined people I can think of are fiction writers. To assign yourself the task of producing hundreds of pages of compelling original content — consistently, on a schedule, while also being your own harshest critic — seems like it would require not just a creative muscle but a kind of self-discipline…
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The Hypothetical Cost Of A Hypothetical Game
There’s been no shortage of conversation online in recent years about game revenue — new monetization models, rising prices, season passes, microtransactions, the economics of live service. What’s talked about considerably less is the other side of that equation: what it actually costs to make a game in the first place. Most publishers stay quiet…
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Sound High Level Thoughts
A few months back I was given the opportunity to put together and present a talk to the whole studio about game audio. Keeping it under twenty minutes meant staying deliberately high level — which was harder than it sounds, because audio is one of those topics where every thread you pull leads to three…
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Staring At The Summit
(Blogtober Day 12) One of my favorite books that delves into the history of game development is Ken William’s “Not All Fairy Tales Have Happy Endings: The Rise And Fall Of Sierra On-Line.” Despite the rather long name and somewhat busy cover, this book was a pretty fun and interesting read. Ken Williams and his…
Got any book recommendations?